0:00

VELADRIQUE ¡Village!

VELADRIQUE ¡Vila!

1:00

ah me

1:11

a la la

1:17

la la la

1:23

la la oh

1:32

ah a agonia

1:43

and of the

y de del

1:52

3 Great, there's no water! They lack water!

3 ¡Bien, no hay agua! ¡Lecen de agua!

1:58

Yes, that it will overflow with water and something can be said! Of course! Is it okay, my uncle? This very student needs the rest!

¡Si, que se va a pasar de agua y se puede decir algo! ¡Claro! ¿Está bien, mi tío? ¡Este muy estudiante y necesita la resta!

2:04

Anyone who wants can ask later. But like this, everyone who doesn't have a mom and dad doesn't have at home. Ah, yes! They are going to take the house!

Todos los que quieran, pueden preguntar en la que luego. Pero así, todos los que no tienen la mamá y papá no tienen en casa. ¡Ah, sí! ¡Que van a tomar la casa!

2:11

Of course you say! Yes, that I made it to the house, oh already! It's fine, it's fine! And then, Bela, you can come to the house and it has fallen in the house.

¡Claro que usted dice! ¡Si, que le hagué a la casa, ¡há ya! ¡Está bien, está bien! Y luego, Bela, se puede venir a la casa y se ha caído en la casa.

2:18

Annu, you don't need to tell her without the vaccine! Let's not say anything about Bela! There's nothing to say! Ok, that's enough!

¡Annu, no necesitas decirle sin la vacuna! ¡Vamos a nada de decirle de Bela! ¡No hay nada de que decirle! Ok, está suficiente!

2:27

Subscribe to the channel! Subscribe to the channel!

¡Suscríbete al canal! ¡Suscríbete al canal!

3:26

You won't give up on life! Let's go!

¡No se va a darse a la vida! ¡Vamos!

3:48

Thank you, Anu! Don't make it hard for people! Don't make it hard for people! Don't make it hard for people! Don't make it hard for people!

¡Gracias, Anu! ¡No se hagan a la gente! ¡No se hagan a la gente! ¡No se hagan a la gente! ¡No se hagan a la gente!

3:56

When she tells me that everyone has their hand. What did she do? She's very upset. Yes, but you also talk about your beauty.

Cuando me dice que todo el mundo tiene su mano. ¿Qué hacía? Está muy chorada. Sí, pero también te dices de tu belleza.

4:03

Oh, you look like my side. Can't you hear? Can't you hear? What did the mother of the house do? What did she do?

Oh, tú te pareces de mi lado. ¿No te escuchas? ¿No te escuchas? ¿Qué hacía la madre de la casa? ¿Qué hacía?

4:13

Does it have to be a good idea? Yes, what did the good idea do? No, no, no. No, no, no. No, no, no.

¿Tiene que la buena idea? Sí, ¿qué hacía la buena idea? No, no, no. No, no, no. No, no, no.

4:20

No, no. No, no. And you? Are you here? No, no. How can I go home? Do you have problems? Do you have to be here?

No, no. No, no. ¿Y tú? ¿Estás aquí? No, no. ¿Cómo puedo ir a casa? ¿Tienes problemas? ¿Tienes que estar aquí?

4:27

Are you very worried? Do you have to go home? Oh, Adi said something. What? Do you have something?

¿Estas muy preocupadas? ¿Tienes que ir a llevar a casa? ¡Ay, Adi dijo algo que sea. ¿Qué? ¿Tienes algo que hay?

4:35

There's nothing, brother. Yes, and honestly, I don't care about Bela. And my mom that Bela is against, doesn't listen.

No hay nada, hermano. Sí, y honestamente, I don't care about Bela. Y mi mamá que Bela que against, no escucha.

4:41

And without luck, don't forget. Let's go! What is Bela's agenda? Why is it like this?

Y sin suerte, no olvides. ¡Vamos! ¿Qué es la progencia de Bela? ¿Por qué es así así?

4:48

Because she is what Mahir is. She wants to tell her. I'm going to Bela to go to the Prove Room. I want to go to Bela. I'm going to go!

Porque ella es lo que es Mahir. Ella quiere decirle a ella. Yo voy a la Bela para ir a la Prove Room. Quiero ir a la Bela. ¡Yo voy a ir!

4:55

Let's go! Ok, wait! They are all with us! I'm going to be from Bela! I'm not going to kill myself!

¡Let's go! ¡Ok, espera! ¡Están todos con nosotros! ¡Yo voy a ser de Bela! ¡Yo no me voy a matar!

5:02

Come on, R.J. Ahh, what has changed me? Let's go! Let's go! Let's go! Dannico!

¡Vamos, R.J. ¡Ajj, ¿qué me ha cambiado? ¡Vamos! ¡Vamos! ¡Vamos! ¡Dannico!

5:22

What has been done?

¿Qué es lo que se ha hecho?

5:52

and and you and and

y y tú y y

5:58

and and and and

y y y y

6:06

and and

y y

6:10

and and and and

y y y y

6:18

and What did she do?

y ¿Qué es lo que hacía?

6:51

Don't make it hard! Don't make it hard! Don't make it hard! No

¡No se hagan! ¡No se hagan! ¡No se hagan! ¡No

6:55

make

se

7:20

it hard! No, no, no, no, no, no, no, no, no, no, no, no, no.

hagan! No, no, no, no, no, no, no, no, no, no, no, no, no.

7:33

How are you? How are you? How are you? Oh!

¿Cómo están? ¿Cómo están? ¿Cómo están? ¡Ay!

7:41

Is that the camera? No,

¿Eso es la cámara? No,

7:51

no, no,

8:17

no. I didn't hear. You can't. You can't. You can't.

no. No me he oí. ¡No se puede. No se puede. No se puede.

8:24

You can't. You can't. Listen, the other one, right? Just. When she goes to the whore, you? You can't. You can't.

No se puede. No se puede. Listen, la otra otra, ¿no? Justo. Cuando se va a la puta, ¿tú? No se puede. No se puede.

8:31

No, you can't. Can't you? I'm going to go and see. I'm going to go see you. And don't make it hard.

No, no se puede. ¿No se puede. Yo voy a ir y a ir a ver. Te voy a ir a ver. Y no me hagan.

8:37

No, no, no. No! No! No!

No, no, no. ¡No! ¡No! ¡No!

8:44

No! No! No! No!

¡No! ¡No! ¡No! ¡No!

8:51

Oh,

9:18

how about? Oh, so you can make such a simple sense of painting. Third class.

¿qué tal? Oh, so you can make such a simple sense of painting. Third class.

9:33

How can you do this? How can you do this? Oh, calm down, Uncle. If Bella didn't do anything, then she won't get anything in it. But this is wrong.

9:40

That girl will never be able to find her in her room. Bella's room?

9:48

But you said that she's in the store. If I said that she's a camera, do you stop this? No! Everyone is in the room.

9:55

Tallahassee! What's in the room? Get in there.

10:31

Oh, my God. Are you scared?

10:41

No, I'm fine.

11:05

Oh yeah Yeah I I

11:13

I I I I

11:21

I I I I I

11:31

I don't expect anything from you. Relax, I'll be fine. It's not like that.

12:11

You see, I'm helping you, because I'm not alone. It's not like that.

12:31

I I I

12:41

I I I

12:47

I I

12:51

I I I

13:01

Thank you.

13:31

I I

13:41

I I I

13:50

I I I I

13:57

What are you saying?

14:27

I remember you, that you have to end this maher today. You will not get this chance again.

14:57

I'm sorry.

15:28

lightning sorry now

15:36

we should go but now the rain and the rain everyone is waiting oh

15:46

now let's go come Oh

15:58

Oh Oh

16:05

Oh, yeah, my G Oh, what a price Oh, yeah, my G I'm glad you're doing it

16:13

I'm gonna miss a question Yeah, I'm gonna tell you that you're not gonna need me No, you're not gonna need

16:22

I'm wrong. What are you doing? Ma...

16:29

Ma... Ma... What are you doing? I think that whatever something is wrong with you, it's my fault.

16:41

But when it's my fault, you have to keep me with expectation and to keep me with a complaint.

16:55

I'm going to go to the house. Come. Or take it.

17:04

I'm not sure of it. Thank you. Okay, let's go. Mom?

17:24

Mom? Mom?

17:31

You both are gone. The body is lost. Mom?

17:43

What's that? What's that? I'll tell you. What?

17:49

We've been killed from there. I have been on your phone. I have been on your phone.

17:53

And then, you sit. Bill, you sit too.

17:59

And then, I tried to try my phone but I didn't even think I had a phone. God, thank you for your 100,000,000,000.

18:05

My child is back to the back. Yes, I have saved. And that too twice. Yes, yes.

18:12

Two times, I have saved your son's son's son. One time, and the other time. Tell me. What do you mean? Who are we?

18:20

I'm not a man. It's not our own. Only our own. We've got two times.

18:27

One time, and the other time... Your hands of your baby.

18:36

What are you doing? Look, S.E.P. I've been told this story about Sveire and Nukon.

18:42

Please, don't start this. We're not going to finish, Mom. I mean, it's a case, so we have to finish the case. Now come and listen to me.

18:49

I've said that I'm not going to finish the case. Mahir, listen to them first.

18:54

Oh This

19:23

is your great friend, Bella. She's got her home.

19:39

Right, Miss. Mithal? Yes, Mahir, just look at it. Oh, Baba!

19:45

You've all been opened in this way, like the sign. First current, then UV, Rihanna, and now...

19:52

And now Mr. Mahir. What are all these things?

20:01

These pictures, these signs? Where are the signs of death, Mother? What is this? What will she say, auntie, and what will she say?

20:08

She's done it all. I was going to tell you all this before, and I'm very sure that Adi was going to tell you all this. What's the name of this girl?

20:16

What's the name of my son's name? She's the name of her, she's the name of her girl. She's the name of her. Nonsense. It's wrong. It's a bad thing.

20:23

100% bad thing. Bella, tell me. You have an explanation. Explain. What are these things?

20:29

Explain what, Mahir? You're not telling us what they're doing here. They're taking an agenda. They're taking a call. One-one. Please.

20:38

You're going to talk to Bella. Bella, I'm asking you. What are these things? Be honest. Tell me. My sister is very angry.

20:45

Yes, I'm very angry, Mom. She's also a serial killer. I'm not saying anything. Stop, stop, stop. No answer.

20:52

You don't have to say anything. Just get aside. Bella, Bella, see. Mahir, you're not...

21:00

What's happening? What's happening? I don't have to worry. You tell me. I trust you. I know you are right. You can explain.

21:07

You have an explanation. There's nobody. Just you and me. Tell me. What's the problem? Harji. Harji.

21:14

I tell you. I'm sorry.

21:48

I have to stop everything else.

21:58

There is no way to do it. Oh, Durga! Bella! Stop, stop, listen to my whole story.

22:04

Adi Ji has taken her name, but... ...but she said to her to do it. What?

22:20

What the hell you liar can't do? One minute, one minute, one minute. Please, don't control me. We don't have lady police with us.

22:26

So you can't get to it. So you can control us a little bit. What are you saying? Your mind is bad.

22:33

You're in a mood. Why would you do that? That's what I have said. I have not said Adi Ji. Don't say this.

22:40

You're lying. I heard Adi was named in front of you. And you didn't have my name here. I'm not giving her name.

22:46

Why would I save her? Why would I take her? I just want to make my mother again.

22:53

That day, Adi Ji had the name of Bela, but she was running out of the house and you were there.

23:00

Yes, she was running out of the house. But they told me everything outside the house. You want to marry Bela because you wanted to marry Maher.

Yes, she was running out of the house. But they told me everything out of the house. You want to marry Bela because you wanted to marry Maher.

23:07

And when she was married, you would be a fool. What? What? This girl is crazy. I am not crazy.

23:14

You are you, Mahir Ji, and I was going to tell you all about it. He was going to attack me.

23:21

You were going to kill me. I was going to kill you that day. I'm going to kill you. No, no, no, no, no. Stop, stop, stop.

23:28

Please, stop. I'm going to kill this. No, no, no. No, no, no.

23:38

I mean, silence, please. If we don't bring the lady police with you, that means we can't call. So control yourself.

23:44

You can stop the other one and give the answer to the other one.

23:51

Now tell me, who was the one who was on the floor? You saw her face. You see her face.

23:58

Do you understand? No. But she is the one who is on the floor. The one who asks her, the one who asks her. No.

24:05

Now tell me. The one who told her that her sister is my sister, because she wants to talk to her. She likes her.

24:13

What does this mean? We will tell you what you want. Tell me, do you have your own friends?

24:20

Yes, very much. He told me that Mahit is very much. Yes, he told me.

24:27

But he was very smart. And you will know the way you know.

24:34

Yes, very smart. Sorry, brother. Today, you will be happy with all your friends.

24:41

This is nonsense! Yes, this is true. I like Maher, but it doesn't mean that he has to be.

24:47

Yes, we will do it myself. You can tell me, did you see Ms. Jamini's face in the situation of the girl's face?

24:56

No, no, no! That was me! I saw it. And this...

25:01

This photo, who got these photos? You? No, no! I saw it!

25:09

She saw it! I was in the house. It was a long time ago.

25:15

I was standing there and I was standing there. I was standing there and I was standing there. I was standing there. Oh!

25:23

This photo is where it is. It's hidden. Look at that!

25:31

Are you mad? You're crazy. Why would I do this? Dehan is his brother. Why would he do this?

25:40

No one will be surprised at this. He's a man, right? Yes, Rehan and this are met.

25:46

The first one will get his love, and then Rehan will get everyone. This was his planning.

25:56

This is nonsense. Complete and utter nonsense. I didn't get them. I'm not getting them. Why would I get them?

26:03

What Adi said, I said. I said that. Adi is a bastard. You are lost, you can't do anything about that. Really, Anna?

26:10

When we were saying that we were saying that you are saying that it is wrong. And now you are saying that it is wrong.

26:18

And what? My dad is not saying that it is wrong. Yes. He is a fool. Take it.

26:24

You and you are playing so dirty. You are your daughter and your son you are doing it. You are doing it.

26:31

You are dirty. Very dirty. Lisa. I have told you something. Lisey. Please.

26:37

If you want, we'll case them. No case against anyone. Please leave. Go here.

26:44

I'm not saying anything. I'm saying anything. I'm listening to my own. Okay, Mr. Mahir. This is your hand. Thank you very much.

26:52

Don't understand that this game of police. Now this game of police is starting. I'll see.

27:05

How is the time coming? How do people fall down? What's this?

27:17

My name is Rehan Ji. Come on. I'm coming up a little while.

27:25

I'll be back in a little while. Something is wrong.

I'll be back a little while. Something is wrong.

27:33

Did Adi really take my place to name Anno? Or did he leave me to save this girl? Why? Why would you save me?

28:09

And what I've done, I've never forgotten. Let's go. Come.

28:26

Jamin, come inside. Come, Auntie. Come. Give me a meal for Jamin.

28:33

What's that? No, come and sit. Sit. I'm not sure how you're doing well. I'm not sure how you're doing well.

28:42

If you don't eat well, you won't be able to do well, then how will you do well? Bella, eat it.

28:58

We were just saying thank you. If you tell me the truth is not true, my dear Bella is a big deal with a big deal.

29:07

I don't have to do that. I mean, when I said that Bella, I was angry and I thought I should have a good deal.

29:21

But when I knew that there was no wrongdoing, I would forgive you.

29:27

No, I don't have to ask you for a need. You understood the problem of being so upset?

29:33

What will be great about this? Anna, you'll get a doubt. Police have had to find her and we'll also take a shot.

29:41

Just rest a shot. I promise. Okay, now you'll eat food and sleep. And one more thing. You'll understand your house too.

30:02

Where did Radi go? I don't know, Ma. Before Yuvi was with Rihana and Abadi. Where are they going, what are they going, why are they going, I don't understand.

30:09

These guys are going to be like Yuvi. They want to be embarrassed to their mother.

30:13

But I mean, I'm going to ask her to ask her, and then they're going to go home. Now, you go and calm down. Yes.

30:37

I'm so sorry. I've been eating so much and I've been eating something. I'm so sorry.

30:43

So now, open your mouth and eat. Eat? I'm so sorry to eat. Eat. Eat.

30:51

Eat. Eat. Eat. Eat. Eat. Eat.

30:57

You have to eat. Don't go away! What do you want me to do? Why do you do it again?

31:05

Leave me alone! You have made you so much.

31:14

And why am I here? I came here for the cake.

31:22

And the third question is you know who I am. So listen to me.

31:28

See, but I'm not mad.

31:55

Oh, oh, oh, oh, oh, oh, oh.

32:26

Who am I? I am.

32:39

What the hell? Right, I am a girl. I am a girl.

32:46

I have made this thing to me. That you don't open your mouth. The way of the veil doesn't tell anyone.

32:53

I know that the girl is a snake and you know this thing too. That's why you will stay like this whole life.

33:01

Be careful, make me laugh. Maybe the girl is not really bad.

33:12

The poor girl was a poor girl. She had a good girl with her. She had no doubt about it.

33:20

But this girl is a very hard time. I am not sure how to save me.

33:32

Why do I want to save me? Why do I want to help me? What do I want to do?

33:39

Save me! Save me! There is someone! Save me!

33:47

I am going to ask you from the Jamini. I'm not gonna tell you all about the the the

33:57

the the the the the

34:04

the the the

34:10

the the

34:23

No, no, no, no! Are you stopping here or are you shocked by showing the bell?

No, no, no, no! Are you stopping here or you are shocked by showing the bell?

34:30

Please, stop! Stop! I will die! I will die! Please! Stop! No, please!

34:37

Stop! Please, please, Koye, Koye, save me!

34:48

Please, help me! Jamini? Jamini? Stop! No, please!

35:08

I'm sorry, officer. I'm sorry, officer. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I need you. Madam, this time we need to help ourselves.

35:14

Oh, I'm so sorry. I'm going to give you. Color blindness. You understand? Please, officer. This is not the time for fun.

Oh, I'm so sorry. I'm going to give you. Color blindness. You understand? Please, officer. This is not the time of fun.

35:21

So, we're saying that this is not the time for fun. It's the time for fun. You go from here. Come here. And she's not here. She's at the station.

So, we're saying that this is not the time of fun. It's the time of fun. You go from here. Come here. And she's not here. She's on the station.

35:27

Look, I feel like I'm not a culprit. Believe me, she's not following me. She's got her baby. Hmmmm. No baby.

35:35

She's hurt her, my partner. I'm saying she's hurt her. I swear, Adi had her name.

35:42

She's not good with her. She's always a bad thing. I feel like she's a nagan. What is she? Nagan?

35:49

Madam Ji, you mean you've got to trust me? I'm sorry. Our mind didn't run away, but you'll trust me. I will not believe you. You must believe.

35:56

You have to do the blood. They are girls who are Nascatu, who are writing the blood.

36:03

I don't understand how to write it. I don't understand how to write it. You are just the girls. Shut up, officer. I'm wrong. I don't want to do it.

36:10

You shut up and please get out. Look, you are giving us love. Take it away. Don't take our love. Go and go. Go.

You shut up and you please get out. Look, you are giving us love. Take it away. Don't take our love. Go and go. Go.

36:17

Look, officer, you believe me. I got all the photos from Bella's house. That's why... She's back in our life.

36:24

She's back in our life. What's wrong with her? She's a girl, a girl, a nagin. She's a good nagin.

36:31

You're saying that you're a good nagin. Now you're saying that you're a good nagin. Hey, Anuman. Why do you make such a great woman?

You're saying that you're saying that you're a good nagin. Now you're saying that you're a good nagin. Hey, Anuman. Why do you make such a great woman?

36:38

Look, officer, I feel like this is nonsense, but there's a good nagin. I've seen myself and this is probably the same reason.

36:46

That night, it's the same reason. What's the same? She's dead and she's dead.

That night, it's the same reason. What's the same? She's dead and she's dead. .

Naagin S3 | Full Episode Ep. 12 | Bela faces tribulations | Colors TV