How To Write A Rap Song | PART 1: GETTING STARTED
0:00
这是我正在制作的新系列的第一部视频,它将指导您从头到尾写一首说唱歌曲的过程。
This is the first video of a new series that I'm doing that's going to guide you through the process of writing a rap song from start to finish.
0:06
我的名字是科尔·梅兹,我在这个频道上帮助说唱歌手完善他们的说唱技巧已经有10年了。
My name is Cole Maez and I've been helping rappers perfect their rap skills on this channel for the past 10 years.
0:12
在这个系列中,我将使用我制作的一首名为《起飞》的受Migos启发的伴奏,并分享一些特别适合这个节拍的创意。
And for this series I'm going to be using a Migos inspired instrumental that I produce called Take Off and I'll be sharing ideas that work specifically well for this beat.
0:20
所以如果您想跟着一起做,您可以通过我在视频描述中发布的链接购买这首伴奏的许可证。
So if you want to follow along you can purchase a license to this instrumental via my beat store which I posted a link to in the video description below
0:28
以及我在这个视频中提到的所有工具和资源的链接。
along with links to all the tools and resources that I mentioned in this video.
0:32
现在,您需要了解的关于写歌的第一件事是,它并不总是以线性方式进行。
Now the first thing that you need to understand about songwriting is it's not always done in a linear fashion.
0:38
这意味着我们并不总是以特定的顺序创作歌曲,也并不总是从头到尾写作。
Meaning we don't always create a song in a particular order and we also don't always write from beginning to end.
0:44
只要您理解这个过程和技巧,您可以每次以不同的方式进行创作。
You can approach songwriting in different ways each time as long as you understand the process and the techniques.
0:50
无论您是如何开始的,您都可以完成一首歌。
You can finish a song regardless of how you started it.
0:54
所以虽然我有自己喜欢的写歌流程,我将在这个系列中与您分享,但我有时仍会以不同的方式进行。
So while I do have my own preferred workflow for songwriting, which I will be sharing with you in this series, I still sometimes approach it in different ways.
1:02
您看,我喜欢把写歌看作是一把火。每一把熊熊燃烧的火焰都是由一些微小的火花开始的。
You see, I like to think of songwriting as if it were a fire. Every roaring fire started with just some tiny sparks.
1:09
在写一首歌的开始阶段,您只是简单地捕捉这些火花。
And in the beginning of writing a song, you're simply capturing these sparks.
1:13
这些火花就是您的创意,它们将会发展成比您想象的更伟大的东西。
And these sparks are your ideas, and they are going to build into something much greater than you probably ever anticipated.
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随着您经验的增加,您将开始信任创作过程。
And as you get more experience, you will start to trust the creative process.
1:23
当您开始创作时,通常并不知道通往终点的正确路线。
When you show up to create something, you don't typically know the correct route to the finish line.
1:28
创作过程是迭代的,这意味着它是逐步进行的。
The creative process is iterative, meaning it's done step by step over time.
1:32
对于您可能想到的每五个创意,您可能只会保留一个。
For every five ideas that you may think of, you may only keep one.
1:36
对于您淘汰的每一个创意,您都为更好的创意腾出了空间。
And for every idea that you eliminate, you make room for better ideas to come through.
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写歌的过程始于捕捉创意。
And the songwriting process begins with capturing ideas.
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这可以是一个概念、一个前提、一个场景、一段记忆、一个物体、一个笑点、一个押韵模式,甚至是一个节奏或旋律。
This could be a concept, a premise, a scenario, a memory, an object, a punchline, a rhyme scheme, or even a cadence or a melody.
1:53
您永远不知道何时或为何会得到这些灵感的瞬间,所以请随时准备捕捉它们,写下来或录下来,以免忘记。
You never know when or why you will get these little moments of inspiration, so always be ready to capture them, write them down, or record them so you don't forget them.
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说到这里,这里是我开始写歌过程的最喜欢的方法。
With all that being said, here is my favorite approach to beginning the songwriting process.
2:08
第一步,找到一个能打动你的伴奏。
Step number one, find an instrumental that moves you.
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您不一定要在伴奏上写作,但我更喜欢这样,因为这可以防止我稍后回去修改歌词,使其在伴奏上流畅。
You don't always have to write to an instrumental, but I prefer to do so because it prevents me from going back later on to tweak my lyrics to make it flow correctly over the instrumental.
2:21
此外,伴奏可以帮助您提供写作的灵感。我喜欢找到一种在情感上打动我的伴奏。
Also, instrumentals can help give you ideas of what to write about. I like to find an instrumental that moves me in some type of emotional way.
2:29
如果你对正在写的伴奏没有感觉,那么你基本上是在与自己作斗争。
If you're not really feeling the instrumental that you're writing to, then you're basically fighting an uphill battle.
2:33
作为娱乐工作者,我们的工作是让人们通过音乐感受到某种情感。如果我们没有感觉,那为什么其他人会有呢?
It's our job as entertainers to make people feel something with our music. So if we don't feel it, then why should anybody else?
2:41
所以如果乐器的演奏在某种情感上打动了你,你就会更容易产生想法。
So if the instrumental moves you in some type of emotional way, it's going to be much easier for you to come up with ideas.
2:46
所以第一步是找到一个打动你的伴奏。一旦我找到一个打动我的伴奏,下一步就是做我喜欢称之为尝试节拍的事情。
So step one is find an instrumental that moves you. Once I find an instrumental that moves me, the next step is to do something I like to refer to as trying on the beat.
2:56
挑选节拍有点像挑选衣服。仅仅因为某样东西在架子上看起来很酷,并不意味着它在你身上也会很好看。
Shopping for beats is kind of like shopping for clothes. Just because something looks dope on the rack doesn't mean it's going to look dope on you.
3:03
所以我喜欢通过即兴演唱来尝试节拍。虽然
So I like to try on the beat by scatting to it. While
3:06
我在即兴演唱,我感受着节奏和
I'm scatting, I'm getting a sense of the tempo and the
3:09
伴奏的律动,我在尝试不同的节奏,同时也在玩弄我的声音音调,通常我会用不同的音调来说唱,以看看哪种音调最适合伴奏。
groove of the instrumental, and I'm auditioning different cadence's, and I'm also playing around with the tone of my voice, and I'm typically rapping in different tones to see which tone seems to fit the instrumental the best.
3:20
伴奏已经会传达某种氛围和情感,我只是玩弄着用我的声音来匹配这种情感。
The instrumental will already be putting off some type of vibe and emotion, and I'm simply playing with matching that emotion with my voice.
3:28
如果在尝试节拍时你有一些很酷的想法,别忘了录下来,以免忘记。
And don't forget if you get some cool ideas while you're trying on the beat, go ahead and record and get those ideas down so you don't forget them.
3:36
如果一切感觉不错,我会决定使用这个节拍来写我的新歌。第三步是创建我们的写歌会议。
And if everything is feeling good to me, I will commit to using this beat to write my new song. And step three is creating our song writing session.
3:44
接下来我做的就是将我的伴奏导入到DAW,也就是数字音频工作站。
The next thing I do is import my instrumental into a DAW, also known as a digital audio workstation.
3:50
DAW只是允许我们制作音乐的软件。
A DAW is simply software that allows us to work on music.
3:53
我喜欢使用DAW来写歌,因为它允许我循环我正在工作的歌曲的特定部分,我可以轻松地记录下所有的想法。
I like using a DAW for song writing because it allows me to loop specific sections of the song I'm working on and I can easily record all of my ideas as I get them.
4:04
所以我通常是在几乎同时写作和录制我的想法。
So I'm typically writing and recording my ideas pretty much at the same time.
4:08
如果你还没有DAW,我目前最喜欢的电脑软件是Reaper。
If you don't already have a doll, my current favorite one for computers is Reaper.
4:12
如果你只有手机或平板,我推荐BandLab。
And if all you have is a phone or a tablet, I recommend BandLab.
4:16
如果你不使用BandLab,那么在将伴奏导入DAW之前,你需要弄清楚伴奏的调和节奏。
If you're not using BandLab, then before you import your instrumental into the doll, you need to figure out what the key and the tempo of the instrumental is.
4:24
我最喜欢的免费工具之一是Toombat.com的分析器。你需要这两条信息,原因如下。
One of my favorite free tools for doing this is Toombat.com's Analyzer. And you need these two pieces of information for the following reasons.
4:32
你的DAW需要知道伴奏的节奏,以便与之同步。
Your doll needs to know the tempo of the instrumental so that it can be in sync with it.
4:36
例如,如果我在DAW中输入错误的节奏,我将无法完美循环伴奏的某个部分,因为它总是会失去节奏。
For example, if I put the wrong tempo into my doll, I would never be able to loop a section of the instrumental perfectly because it would always be out of time.
4:45
例如,听这个循环。
For example, listen to this loop.
4:56
一旦你知道伴奏的节奏和调,及时更新你的DAW的节奏,并拖入伴奏。
Once you know the tempo and key of the instrumental, update the tempo of your doll accordingly and drag in the instrumental.
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