[#SDF/1í ì ê³µê°] ðððððððð ð¯ð¬. ððð ì묎ê°ì ì졎ì¬ìŽ ê±žëŠ° 'ìê·žëì² ì묎 ìíì 'ì ìì
0:09
Let's start freely as Koreans. Okay!
íêµìŒë¡ììŽ ìì ë¡ê² ììí©ëë€. ì€ìŒìŽ!
0:20
Energy is important. Energy is important. I will wear gloves when I want to show my energy.
êž°ìž ì€ì. êž°ìž ì€ì. ì ë êž°ìžë¥Œ ëë¬ëŽê³ ì¶ì ë ì¥ê°ì ëê²ì.
0:27
The ribbon energy is unbeatable, I've seen it. Oh, isn't it different? I have to do a surgical procedure right now here, Smith?
늬볞 êž°ìžë ì묎ë 못 ìŽê²šì, ì ê° ëŽ€ì§ë§. ì ë¬ëŒ ì§êž ëŽê° íŽìŒ ëë ìì ì± ìëìŒ ì§êž ì¬êž° ì€ë¯žìŠ?
0:34
I've come back with pastel pink, it's so pretty, what should I do? I don't like this.
ì°íí¬ì íšê» ë€ì ëììë€ ë묎 ìë»ì ìŽë¡íŽ ë ì«ìŽ ìŽê±°
0:41
Do I have to put it on again? Yes, it's a bit overwhelming, pink.
ì ë ë¬ììŒ? ë€ ì¢ ë¶ëŽì€ëœêžŽ í©ëë€ íí¬
0:45
I always used to be with the Ratskurn family in the chair, but now I've come out alone. Forget about the golden youngest, Smith, I've already been reborn as the golden director.
ììì ë ëŒìž 컀ë€ë€ìŽë íšê» íëë° íŒì ëì€ê² ëê±°ë ì í©êž ë§ëŽ ì€ë¯žìŠë ììŽì£Œìžì í©êž ëë í°ë¡ ì§êž ê±°ëë¬ê±°ë ì ìŽë¯ž
0:54
I'm working as a choreographer and director, and my specialty as a choreographer is heel dance, which I created. Isn't it cute? So cute.
ì묎ê°ìŽì ëë í°ë¡ íëì íê³ ìëë° ì묎ê°ë¡ ì ì í¹êž°ë íí
ìž ì ê° ë§ë ìŒìŽìì. ê·ìœì£ ? ë묎.
1:01
These days, I'm working as an ììŽ performance director. I'm in charge of the overall concert at the Lollapalooza awards ceremony.
ììŠì ììŽ íŒí¬ëšŒì€ ëë í°ë¡ ìŒì íê³ ììµëë€. ë¡€ëŒí룚ì ììì ìœìíž ì 첎ì ìž ê±ž ë€ ë§¡ê² ëë
1:10
I think I'm good at directing according to the stage and doing conceptual things. That's what a performance director does.
묎ëì ë§ê²ë ì ì°ì¶íê³ ì»šì
ìžìŒí 걞 ìíë ê² ê°ìì. íŒí¬ëšŒì€ ëë í°ëì.
1:15
I'm not a choreographer, but I handle concept creation, directing aspects, stage composition, dancer composition, lighting, and overall management.
ì묎 ëë í°ê° ìëëŒ ë 컚ì
ì¡ë ê±°, ì°ì¶ì ìž ë¶ë¶, 묎ë 구ì±, ëì 구ì±, ì¡°ëª
, ìŽêŽìž ê±°ì£ .
1:22
Overall. I can't avoid being in a director's battle. I've been doing this for five years. I'll show you. I'm now going to work here.
ìŽêŽ. ëë í° ìžìì ë¹ ì§ ì ìꞎ íŽì. 5ë
ëì ìŽ ê°ììµëë€. ì 볎ì¬ì€ ê±°ìì. ë ìŽì ìŒì±íŽ, ì¬êž°.
1:29
Did I come in here? On your own feet now? Can I use it as a director? Director, sir?
ë ìŽê±° ë€ìŽììŽ? ì§êž ë€ ë°ë¡? ëë í°ìì ìžê²ì? ëë í° ìšë¶?
1:37
It's so pretty, what should I do? Wow, okay.
ë묎 ìë» ìŽë¡íŽ? ìì° ì€ìŒìŽ
1:45
It's better than my house. There are ten rooms in different signature colors, each with its own personality.
ì°ëЬ ì§ë³Žë€ ì¢ì ê°ìì ê°ì± ìë ìê·žëŠ¬íž ì»¬ë¬ë¡ ë ë°©ìŽ 10ê°ê° ìëëŒê³ ì
1:50
The spaces are all different. We have meetings and talk, and wow, they gave us a workspace that fits the director's needs, in my opinion.
ê³µê°ìŽ ë€ ë€ë¥Žêµ¬ë ìŽê² íìë íê³ ìêž°ë íê³ ì ëë í°ì ë§ê² ìì
ì€ ê³µê°ì²ëŒ 죌ì ê±°ìŒ ëŽê° 뎀ì ë
1:58
We also need to organize the flow and this concept. When we get the job of a director, the first thing we do is buy a bill pad.
ëì 곌 ìŽ ì»šì
ì 늬륌 ë íŽìŒ ëê±°ë ì ì°ëЬë ëë í°ëŒë ì§ì
ì ê°ê² ë멎 ê°ì¥ 뚌ì íë ìŒìŽ êŒ ë¹íšë ì¬ë ê±°ê±°ë ì
2:07
There are many tasks, and I need to monitor quickly on a large screen.
ë늎 ìŒìŽ ë§ê³ í° í멎ìŒë¡ ë¹ ë¥Žê² ëªšëí°ë§ íŽìŒ í ìŒìŽ ë§ìì
2:12
It's very advantageous to see the flow of sadness.
ì¬íŒë ëì ì ë³Žêž°ê° êµì¥í ì 늬íê³ ì
2:15
I think developing ideas is just like writing a diary. Definitely, being a director feels like a battle of wits; my thinning hair, can you not see it?
ììŽëìŽ ë벚ë¡ì ê·žë¥ ìŒêž°ì ë¯ìŽ íë ê² ê°ìì íì€í ëë í°ë 뚞늬ìžì ìì¹ì 뚞늬 í°ì§ ê² ê°ìì ì ë¹ ì§ê³ ìë ëšžëŠ¬ê° ì 볎ìŽìëì?
2:28
Oh, this... Oh, this is really a series all day today, wow.
ì ìŽê²... ì ìŽê² ì§ì§ ì€ë í룚 ì¢
ìŒ ìëŠ¬ìŠ ìì°
2:36
For now, I can see a little bit, and I feel like everyone will be checking each other a lot.
ìŒëš ìŽì§ ë€ ë³ŽìŽê³ ìŒëš ê°ì ìŽì ë 견ì 륌 ë§ìŽ í ê² ê°ì ëë?
2:43
I'll take a lap, I need to see a bit of yellow Nin Junjeong, okay, Ren Ah.
í ë°íŽë§ ëê²ì í ë² ëŽìŒì§ ì¢ ìë¡ì° ëì€ì ì€ìŒìŽ ë ì
2:50
Ren Oh Ra, all the choreographer directors came out, and it felt threatening. Let's see who shows up.
ë ì€ëŒë ìë¬Žê° ëë í°ë€ ë€ ëìê°ì§ê³ ìíì ìŒë¡ ë껎ì¡ìŽì í ë² ë³Žì ëê° ëì€ì§
2:56
It's the sea, the sea sister, is the sea sister saying that Bu Young oppa will come? In Gyu?
ë°ë€ë€ ë°ë€ ìžë ë°ë€ ìžë ë¶ì ì€ë¹ ê° ëìšë€ê³ ì? ìžê·ì?
3:00
Yes, I expected this. It will be an opportunity for Nine to gain a lot of experience.
ì ììíì£ ëìžìŽê° 겜íì ë§ìŽ ìë ê³êž°ê° ëê² ë€
3:04
Isn't it an opportunity to rise? If I dance, I think I can definitely win. But since it's not super, is this player from the sea sister?
ì¹ê³ ì¬ëŒê° êž°íì§ ììê¹ ì ê° ì¶ë€ ê·žëŒ ë¬Žì¡°ê±Ž ìŽêžž ì ìì ê±° ê°ìì ê·Œë° ìíŒê° ìëëê¹ ë°ë€ ìžëë ìŽê±° íë ìŽìŽ?
3:12
Mega Popporo won't lose. I really don't know if I can do well on missions other than Mega Crew. Casper, there's a trend, right? Maybe I could show a weak side, right?
ë©ê° ëœëœë¡ë ì ì žì ì§ì§ ë©ê° í¬ë£š ìŽìžì 믞ì
ì ì í ì ììì§ ëªšë¥Žê² ë€ ìºì€íŒë ìŽ ížë ë ìì£ ìœííì 몚ìµì ë³ŽìŒ ìë ìì§ ììê¹ ì ìŒ ìëìŽì§ ììê¹ì?
3:24
Huh? Who is it? Who's Jung Min-jun? A friend I don't know has appeared. There are so many things I can show, of course it's me.
ì? ë구ì§? ë구ì ì 믌ì€? 몚륎ë ì¹êµ¬ê° ëìë€. ìŽê±° 볎ì¬ì€ ì ìë ê² ë묎 ë§ìë° ìì ìŽìŒ ë¹ì°í.
3:33
Since it's a battle of skills, can't we do everything this time? That's cool.
ì€ë ¥ìŒë¡ ìžì°ë ê±°ëê¹ ìŽë²ì ë€ í ì ìì§ ììê¹ì? ë©ìë€.
3:43
It's a director's war where choreographers compete beyond performance to win with their works. Hello.
íŒí¬ëšŒì€ë¥Œ ëìŽ ìíìŒë¡ ì¹ë¶íë ì묎ê°ë€ì ëë ì ì. ìë
íìžì.
3:48
I am Seong Hwa-bin, the MC of Mnet's original dance series Street World Fighter Directors' War.
Mnet ì€ëЬì§ë ëì€ ìëŠ¬ìŠ ì€ížëŠ¬íž ìë íìŽí° ëë í°ì€ìì MC ì±íë¹ì
ëë€.
3:58
It's a stage where the result is determined not by the crew's fight but by the name of one person.
í¬ë£šì ìžììŽ ìë ëš í ì¬ëì ìŽëŠìŒë¡ 결곌륌 ê°ë¥Žë 묎ë
4:03
Choreographers will compete for a single spot in each mission, which is the director credit that becomes the final owner of the work.
ì묎ê°ë€ì ë§€ 믞ì
ë§ë€ ëš íëì ì늬륌 ëê³ ê²œìíê² ëëë°ì ë°ë¡ ìíì ìµì¢
죌ìžìŽ ëë ëë í° í¬ë ë§ì
ëë€
4:17
Credit board? The credit board is where the name of the one director who will be the final owner of the work and the names of the choreographers who completed the work together are recorded.
í¬ë ë§ ë³Žë? í¬ë ë§ ë³Žëë ìµì¢
ìíì 죌ìžìŽ ë ëš í ëª
ì ëë í° ê·žëŠ¬ê³ ìíì íšê» ìì±í ì묎ê°ë€ì ìŽëŠìŽ êž°ë¡ëë ì늬ì
ëë€.
4:30
Ah, the credits are written differently. Ah, it's different.
ì í¬ë ë§ìŽ ë€ë¥Žê² ìšì£Œìë구ë. ì ë€ë¥žêµ¬ë.
4:34
Placing a choreographer right under the director is humiliating, it's really cruel.
ëë í° ë°ì ë°ë¡ í¬ë ì€ê·žëíŒ ëë 걎 ìì¡Žì¬ ìíê² ë§ëë ê±Žë° ì°ž ììžíë€.
4:39
So, you could just choreograph and not direct at all. Right. This dance scene is very sensitive about credits.
ìë¬Žë§ ì§ê³ ëë ì ìì 못í ìë ìë ê±°ë€. ê·žë ì§. ìŽ ëì€ ì ìŽ í¬ë ë§ì ìì² ì믌íê±°ë ì.
4:46
Depending on contribution, the order is written differently, and the director is written big, while the choreographer is written smaller below.
êž°ì¬ëì ë°ëŒ ììë ë€ë¥Žê² ì°ê³ ëë í° ë¹¡ íŽê°ì§ê³ í¬ê² 빡 ë°ì ìŽì ìë¬Žê° íŽê°ì§ê³ ì¢ ìê² ëŒ ìê³
4:55
Wouldn't you want your name to be written bigger?
ì¢ ë í°ë° ìŽëŠìŽ ì°ì¬ì§ê³ ì¶ì§ ìê² ìµëê¹?
4:59
I came here for a director's battle, so of course I have to be a director. The choreographer is doing everything right now, so I'm confident about the director credit.
ìë ëë í° ìžììŒë¡ ìëë° ë¹ì°í ëë í°ê° ëŒìŒì§ ìœë ìŽ ê·žëŠ¬íë ë€ íê³ ìë ê±°ìì ì§êž ëë í° í¬ë ë§ ìì ìì£ ?
ì²ì 5ë¶ê¹ì§ë§ 묎ë£ë¡ 볌 ì ììŽì. ìŽìŽì ë³Žë €ë©Ž ì±ìŽë íì¥ íë¡ê·žëšì ì€ì¹íìžì.
ë€ìŽë¡ëë€ë¥ž ìžìŽë¡ ìì²íêž°

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