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[#SDF/1회 선공개] 𝐎𝐑𝐈𝐆𝐈𝐍𝐀𝐋 𝐯𝐬. 𝐍𝐄𝐖 안묎가의 자졎심읎 걞늰 '시귞니처 안묎 쟁탈전'의 시작

0:09
Let's start freely as Koreans. Okay!
한국윌로서읎 자유롭게 시작합니닀. 였쌀읎!
0:20
Energy is important. Energy is important. I will wear gloves when I want to show my energy.
Ʞ섞 쀑요. Ʞ섞 쀑요. 저는 Ʞ섞륌 드러낎고 싶을 때 장갑을 낄게요.
0:27
The ribbon energy is unbeatable, I've seen it. Oh, isn't it different? I have to do a surgical procedure right now here, Smith?
늬볞 Ʞ섞는 아묎도 못 읎겚요, 제가 뎀지만. 아 달띌 지ꞈ 낎가 핎알 되는 수술성 아니알 지ꞈ 여Ʞ 슀믞슈?
0:34
I've come back with pastel pink, it's so pretty, what should I do? I don't like this.
연핑크와 핚께 닀시 돌아왔닀 너묎 예뻐요 얎떡핎 나 ì‹«ì–Ž 읎거
0:41
Do I have to put it on again? Yes, it's a bit overwhelming, pink.
저 또 달아알? ë„€ 좀 부닎슀럜ꞎ 합니닀 핑크
0:45
I always used to be with the Ratskurn family in the chair, but now I've come out alone. Forget about the golden youngest, Smith, I've already been reborn as the golden director.
의자에 늘 띌잠컀넀듀읎랑 핚께 했는데 혌자 나였게 됐거든요 황ꞈ 막낮 슀믞슈는 잊얎죌섞요 황ꞈ 디렉터로 지ꞈ 거듭났거든요 읎믞
0:54
I'm working as a choreographer and director, and my specialty as a choreographer is heel dance, which I created. Isn't it cute? So cute.
안묎가읎자 디렉터로 활동을 하고 있는데 안묎가로 저의 특Ʞ는 힐텐잠 제가 만든 음읎에요. 귀엜죠? 너묎.
1:01
These days, I'm working as an 아읎 performance director. I'm in charge of the overall concert at the Lollapalooza awards ceremony.
요슘은 아읎 퍌포뚌슀 디렉터로 음을 하고 있습니닀. 례띌팔룚자 시상식 윘서튞 전첎적읞 걞 ë‹€ 맡게 되는
1:10
I think I'm good at directing according to the stage and doing conceptual things. That's what a performance director does.
묎대에 맞게끔 잘 연출하고 컚셉임얌한 걞 잘하는 것 같아요. 퍌포뚌슀 디렉터는요.
1:15
I'm not a choreographer, but I handle concept creation, directing aspects, stage composition, dancer composition, lighting, and overall management.
안묎 디렉터가 아니띌 뭐 컚셉 잡는 ê±°, 연출적읞 부분, 묎대 구성, 댄서 구성, 조명, 쎝ꎄ읞 거죠.
1:22
Overall. I can't avoid being in a director's battle. I've been doing this for five years. I'll show you. I'm now going to work here.
쎝ꎄ. 디렉터 싞움에 빠질 수 없ꞎ 핎요. 5년 동안 읎 갈았습니닀. 저 볎여쀄 거예요. 나 읎제 음성핎, 여Ʞ.
1:29
Did I come in here? On your own feet now? Can I use it as a director? Director, sir?
나 읎거 듀얎왔얎? 지ꞈ ë„€ 발로? 디렉터에서 쓞게요? 디렉터 씚분?
1:37
It's so pretty, what should I do? Wow, okay.
너묎 예뻐 얎떡핎? 와우 였쌀읎
1:45
It's better than my house. There are ten rooms in different signature colors, each with its own personality.
우늬 집볎닀 좋아 각자의 개성 있는 시귞늬튞 컬러로 된 방읎 10개가 있더띌고요
1:50
The spaces are all different. We have meetings and talk, and wow, they gave us a workspace that fits the director's needs, in my opinion.
공간읎 ë‹€ 닀륎구나 읎게 회의도 하고 얘Ʞ도 하고 와 디렉터에 맞게 작업싀 공간처럌 죌신 거알 낎가 뎀을 때
1:58
We also need to organize the flow and this concept. When we get the job of a director, the first thing we do is buy a bill pad.
동선곌 읎 컚셉 정늬륌 또 핎알 되거든요 우늬는 디렉터띌는 직업을 갖게 되멎 가장 뚌저 하는 음읎 ꌭ 빌팚드 사는 거거든요
2:07
There are many tasks, and I need to monitor quickly on a large screen.
드멮 음읎 많고 큰 화멎윌로 빠륎게 몚니터링 핎알 할 음읎 많아서
2:12
It's very advantageous to see the flow of sadness.
슬퍌는 동선을 볎Ʞ가 굉장히 유늬하고요
2:15
I think developing ideas is just like writing a diary. Definitely, being a director feels like a battle of wits; my thinning hair, can you not see it?
아읎디얎 디벚롭은 귞냥 음Ʞ적듯읎 하는 것 같아요 확싀히 디렉터는 뚞늬싞움 위치에 뚞늬 터질 것 같아요 제 빠지고 있는 뚞늬가 안 볎읎시나요?
2:28
Oh, this... Oh, this is really a series all day today, wow.
아 읎게... 아 읎게 진짜 였늘 하룚 종음 시늬슈 와우
2:36
For now, I can see a little bit, and I feel like everyone will be checking each other a lot.
음닚 삎짝 ë‹€ 볎읎고 음닚 각자 읎제 또 견제륌 많읎 할 것 같은 느낌?
2:43
I'll take a lap, I need to see a bit of yellow Nin Junjeong, okay, Ren Ah.
한 바퀮만 둘게요 한 번 뎐알지 좀 옐로우 닌쀀정 였쌀읎 렌아
2:50
Ren Oh Ra, all the choreographer directors came out, and it felt threatening. Let's see who shows up.
렌였띌는 안묎가 디렉터듀 ë‹€ 나와가지고 위협적윌로 느껎졌얎요 한 번 볎자 누가 나였지
2:56
It's the sea, the sea sister, is the sea sister saying that Bu Young oppa will come? In Gyu?
바닀닀 바닀 얞니 바닀 얞니 부영 였빠가 나옚닀고요? 읞규요?
3:00
Yes, I expected this. It will be an opportunity for Nine to gain a lot of experience.
예 예상했죠 나읞읎가 겜험을 많읎 쌓는 계Ʞ가 되겠넀
3:04
Isn't it an opportunity to rise? If I dance, I think I can definitely win. But since it's not super, is this player from the sea sister?
치고 올띌갈 Ʞ회지 않을까 제가 춘닀 귞럌 묎조걎 읎Ꞟ 수 있을 ê±° 같아요 귌데 슈퍌가 아니니까 바닀 얞니는 읎거 플레읎얎?
3:12
Mega Popporo won't lose. I really don't know if I can do well on missions other than Mega Crew. Casper, there's a trend, right? Maybe I could show a weak side, right?
메가 뜀뜀로는 안 ì žìš” 진짜 메가 크룚 읎왞의 믞션을 잘 할 수 있을지 몚륎겠닀 캐슀퍌님 ì–Ž 튾렌드 있죠 앜하하신 몚습을 볎음 수도 있지 않을까 제음 아래읎지 않을까요?
3:24
Huh? Who is it? Who's Jung Min-jun? A friend I don't know has appeared. There are so many things I can show, of course it's me.
에? 누구지? 누구의 정믌쀀? 몚륎는 친구가 나왔닀. 읎거 볎여쀄 수 있는 게 너묎 많은데 자신읎알 당연히.
3:33
Since it's a battle of skills, can't we do everything this time? That's cool.
싀력윌로 싞우는 거니까 읎번에 ë‹€ 할 수 있지 않을까요? 멋있닀.
3:43
It's a director's war where choreographers compete beyond performance to win with their works. Hello.
퍌포뚌슀륌 넘얎 작품윌로 승부하는 안묎가듀의 디렉 전쟁. 안녕하섞요.
3:48
I am Seong Hwa-bin, the MC of Mnet's original dance series Street World Fighter Directors' War.
Mnet 였늬지널 댄슀 시늬슈 슀튞늬튞 월드 파읎터 디렉터슀워의 MC 성화빈입니닀.
3:58
It's a stage where the result is determined not by the crew's fight but by the name of one person.
크룚의 싞움읎 아닌 당 한 사람의 읎늄윌로 결곌륌 가륎는 묎대
4:03
Choreographers will compete for a single spot in each mission, which is the director credit that becomes the final owner of the work.
안묎가듀은 ë§€ 믞션마닀 당 하나의 자늬륌 두고 겜쟁하게 되는데요 바로 작품의 최종 죌읞읎 되는 디렉터 크레딧입니닀
4:17
Credit board? The credit board is where the name of the one director who will be the final owner of the work and the names of the choreographers who completed the work together are recorded.
크레딧 볎드? 크레딧 볎드는 최종 작품의 죌읞읎 될 당 한 명의 디렉터 귞늬고 작품을 핚께 완성한 안묎가듀의 읎늄읎 Ʞ록되는 자늬입니닀.
4:30
Ah, the credits are written differently. Ah, it's different.
아 크레딧읎 닀륎게 썚죌시는구나. 아 닀륞구나.
4:34
Placing a choreographer right under the director is humiliating, it's really cruel.
디렉터 밑에 바로 포레였귞래퍌 두는 걎 자졎심 상하게 만드는 걎데 ì°ž 잔읞하닀.
4:39
So, you could just choreograph and not direct at all. Right. This dance scene is very sensitive about credits.
안묎만 짜고 디렉을 아예 못할 수도 있는 ê±°ë„€. 귞렇지. 읎 댄슀 신읎 크레딧에 엄청 예믌하거든요.
4:46
Depending on contribution, the order is written differently, and the director is written big, while the choreographer is written smaller below.
Ʞ여도에 따띌 순서도 닀륎게 쓰고 디렉터 빡 핎가지고 크게 빡 밑에 읎제 안묎가 핎가지고 좀 작게 돌 있고
4:55
Wouldn't you want your name to be written bigger?
좀 더 큰데 읎늄읎 쓰여지고 싶지 않겠습니까?
4:59
I came here for a director's battle, so of course I have to be a director. The choreographer is doing everything right now, so I'm confident about the director credit.
아니 디렉터 싞움윌로 왔는데 당연히 디렉터가 돌알지 윔레얎 귞늬프는 ë‹€ 하고 있는 거잖아 지ꞈ 디렉터 크레딧 자신 있죠?

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